Adrienn’s current writing project is an historical novel about the life of potter, artist and one-time actress, Beatrice Wood.
Learning to Breathe: A Novel of Beatrice Wood (working title) is an historical novel about the life of Beatrice Wood, an extraordinary woman who romanced some of the most famous artists of her time — and became a celebrated artist in her own right, well-known for her ceramic lustreware and pottery figurines.
Adrienn first became aware of Beatrice Wood during a 2004 summer internship in New York City at a preservation and folklore-based nonprofit organization known as City Lore where she was assigned to do reports on important community sites of historic and cultural interest. Webster Hall was amongst her assignments. In the course of researching the infamous social hall, she came across stories about the Dada-artist influenced Blind Man’s Ball of 1917, which in turn led her to Beatrice.
The “Mama of Dada,” Beatrice Wood cavorted with some of the most famous artists of her day, including Marcel Duchamp, Man Ray, and Francis Picabia. She met and fell in love with Henri-Pierre Roche, an itinerant art dealer and sometime writer who would go on to pen the book, Jules et Jim, which inspired the film by Francois Truffaut. Beatrice remained lifelong friends with both Roche and Duchamp.
Adrienn took two years researching Beatrice’s life at some of the best archival collections in the United States: the Library of Congress’ Manuscripts Division, which houses the correspondence between Beatrice and her lifelong best friend, Elizabeth Reynolds Hapgood (a formidable woman in her own regard); the Smithsonian’s Archives of American Art, located in Washington, D.C., which holds the complete personal papers of Beatrice Wood (now completely digitized); and the Beinecke Rare Book and Manuscript Library, which has over 20 years of correspondence between Beatrice and her longtime friend and sometime lover, R.P. Singh.
These rare insights into Beatrice’s daily life and musings provide the epistolary underpinnings of a significant novel about the foundation of Beatrice’s life as an artist. Adrienn began writing in January of 2014 and completed the first full draft of her manuscript for Learning to Breathe in June of 2016. She enrolled in an MFA program in the Fall of 2015 and has been working with her teachers and comrades at Fairleigh Dickinson University’s MFA in Creative Writing program to workshop the writing.
Adrienn is currently on her third (and hopefully final) draft of the novel, and engaged a professional editor, Heather Lazare, for developmental editing and polishing before submitting the work to literary agents.
If Beatrice has anything to say about it — and we trust that she does — you’ll have no problem finding a copy of this novel on bookstore and library shelves very soon. Until then, remember: